To Winter 2015. 8 Figure
From Author:
Phenomenon happened at print that was written in this Chapter 8 is my real experience when I was sitting on the sofa at twilight and gazing the print on the wall that was presented from painter S. The outline of the happening was written at Chapter 2 Print of this story.
8 HAYASHI Inao, WANG Bi, OSHIKA Ken-ichi, Ludwig Wittgenstein, George Kingsley Zipf, Kurt Godel and CHINO Eiichi
From Author:
Phenomenon happened at print that was written in this Chapter 8 is my real experience when I was sitting on the sofa at twilight and gazing the print on the wall that was presented from painter S. The outline of the happening was written at Chapter 2 Print of this story.
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8 HAYASHI Inao, WANG Bi, OSHIKA Ken-ichi, Ludwig Wittgenstein, George Kingsley Zipf, Kurt Godel and CHINO Eiichi
8 Figure
One of the prints sent by K came to realize that, in A, the shelved posture up until now was giving a decisive weight to the so-called living attitude. It will lead to the thought of Central Asian prayers that I remembered when I went far. So far too vague, how and where to approach, who was untouched at all, or who might have avoided excuse for laziness, this time the clues facing head-on are given. I felt like I was taken.
In one print, even if it was an illusion, there was a flowing time that allowed fireworks to open one after another. It connects with the structural time that is assumed in generating the meaning of the kanji. Apart from that, when Bodhisattvas and sentient beings pray in the mural paintings of Central Asia, the time of prayer is felt on the screen. It is different from the structurally existing time inside the kanji. The entire screen shows the final scene of an event.
Prayer begins in the past and reaches that time. In other words, the screen was showing the end of the closed time. In the half-century work of setting the chronological order of the Bronze wares of the Yin Zhou era, Nami Hayashi assumed that the horned god was the supreme god before the dragon . The iconic image of the Supreme God appears as the last form of an eternal time. Gassho and Arikonokami have a common accumulation of time. At their ends, in every form, the existence of a language that has a meaning in which time is also a component of it is questioned. It's a difficult but definite subject of thought.
In an old child's note, Wang Yi said, `` Everything Mange has its origins in one, and what causes one to win one, nothing in one, so one by one, so-called It is said that there is no word in the counsel, there is no word in one and two, there is one and two, and finally three is born, and one obeys nothing, and the number is exhausted . "
It states that once nothing is born from nothing, everything derives from it as a language . The language problem that comes from nothing. Wang Yi further said, "I can't help but lie with Zhou, and I'm going to pass without being biased toward the pole, so I'm going away . " He writes that things that go around are not remarkable, and that things that do not have one shape go far. Patrolling and endless problems .
Both of the notes by Wang Yi were related to the essence of the language, and they overlapped with Kenichi Oshika's work in A. According to Oshika, starting from the definition of the Teichmuller space as a topological space, and through the finiteness theorem of Sullivan and Earl Force, the geometric infinite group is constructed as the limit of the geometrical bounded group. If reduced, infinity is constructed from finite.
Languages can make infinite sentences with finite words, this seemingly obvious statement has not been strictly proven. Therefore, if this is one conjecture, Oshika suggested one strong direction for its solution.
Before long, don't think about that, but now it's time to face each other in front of what my beloved C told me. It is due to the prints sent from K, but now it is more than prints. HoweverIt was enormously great that the prints showed him the inherent time as a strict fact. Even if it was a phenomenon of illusion, it no longer hindered him. Because what he was looking for was universality that goes beyond everyday concreteness, and it was to express it clearly. However, in the language universals, which is derived from the typology of the language and the distinctiveness of the phoneme that were often talked about in the conversation with C at the time, that is, derived from the individual languages that exist as events, There wasn't.
Now, the figure has appeared as a connection between event and universality. A print tells me that. Languages that include time, prayer, feelings, etc., that are , all meaningful things, are aggregated into some figure, and the figure is described in a geometric way. The twilight long night has dawned.
It was long at night. Once he tried to use set theory directly for language notation. Gödel's proof of imperfection was so shocking that it had one clear meaning of imperfection perfectly expressed. However, extending that logic to the meaning of the language itself was probably difficult due to the results of basic mathematical theory until the middle of the 20th century, and was even more reckless from the ability of A.
The next half century has provided a way to expand the application of mathematics to non-mathematical fields. Mathematics has taken off to the world after a long run, Kenji Ueno said in an interview with Shigeyuki Morita. It must have been a deep emotion of the mathematician who walked with modern mathematics and finally arrived.Kenji Ueno and Yuji Shimizu, "Deformation and Cycle of Complex Structures" gave an overview of the structuring of mathematical objects, and gave a big shift to A, who was enthusiastic about the structural model of the language at that time. It was a valuable book.
However, is there a structure inherent in the natural language used in everyday life that can be expressed in mathematics? The circulating truth problem called the "Crete's lie" assumes that if the language has a two-dimensional structure like a Mobius ring, and the language moves in that plane in only one direction, It was natural that this mysterious proposition would endlessly repeat on the plane from true to false and from false to true .
I was asked by C, who taught me almost everything about the language, what you were thinking about now. At that time, A was obsessed with the set theory of Takeuchi Gaishi, who had a close relationship with Godel, so he obediently said he was thinking about the structure that exists in meaning in a set theory. Then C immediately told you that you shouldn't do that, and that it wasn't what we were doing, such as Wittgenstein, and he was really worried about A's direction.
It was on the train where the two went home together. C touched the words further and turned around, saying without hesitation that he was, in the end, not a researcher, but a commentator.
I had that chance only once. I thought I discovered the law. About the frequency of appearance in the language. After that, I searched for a few days. I've already found the law. C said so and stopped the language.
Older, he taught A as much as he could about his language, without taking into account age and experience differences. The language had facts and laws, and that was all he had. C stated that he could not find any of them. A didn't have a word to return at that time, he just took it quietly.
I have always been concerned about this law, but one day I read Yuki Kuramoto and it became clear. It is believed that C was referring to or related to the rule of thumb discovered by the American linguist George Zip. According to Kuramoto, Zipf's law was that the order of appearance frequency of words appearing in literary works follows the inverse power law. According to the illustrated illustrations of Keiichiro Tokita and Haruyuki Irie, the works in different fields of Shakespeare, Darwin, Milton, Wells and Carroll showed a striking resemblance. Especially, Wells's "Time Machine" and Carroll's "Alice in Wonderland" have almost completely overlapping curves, and it seems that they are the same work.
This outstanding rule of thumb, discovered in the first half of the twentieth century, is definitely immovable by Tokita and Irie analyzing and graphing the frequency and rank from 1 to 100000 in the words appearing in the sample work. I confirmed that it is a scientific law.
That is, all words that an author appears to have freely chosen to express his thoughts are, according to this law, nearly identical in the correlation of how many times each word is used by any author. However, it was beautifully shown as a quantitative achievement of modern science .
Once upon a time K asked what poetry was, A replied, at a naive level, that poetry was about to deviate from the norms of the language that preceded it. It seemed as if I had been struggling for a long time, knowing instinctively that I was conversely governed by the strong laws of the language that I might have made. It's also true, though not Galilean, that different human writings will continue to follow the same curve as usual, according to Zipp's law.
C, however, did not like A's over-conceptualization of these languages, chasing the facts of the language and the laws extracted from it throughout his life, and did not find them. And one day I died of a sudden illness. Leaving some books that loved linguistics. The last book is called "Open Door to Linguistics, Janua Linguisticae Reserata". As he says, the door was open to everyone. If you want to chase after all.
If C were alive, she might ask A again. What are you doing now? And A will answer as well. It's not about the facts, it's about universality. If I were alive, would I have climbed that steep staircase and talked again at the table with a low ceiling, C? In the cross-border ties of transfusion research, in order to avoid damaging the rediscovered valuable manuscripts of transfusion theory, the discoverers themselves sent me on an airplane, so I would be at a loss. I wasn't good at it, how inspiring I was, C. The name of the store, which looked like a shack, was California just to the left of the alley in front of the station. Now, let's write it down in our oblivion memorial, which was never miserable.
However, A continued to take a different direction, while accepting C's angry advice from the bottom of my heart. The fact was not his subject. As it is a human event, everything manifests once as a fact. Some law may appear there. But A did not want that direction. In the case of A, the internal structure of the language went from set theory to geometry and then to geometry. That is, time is also a meaning. He chose geometry now as the only way to clearly express a figure as a representation of a universal language, and there was no hesitation.
A print was strictly at the origin that guided all of them. As Oka Kiyoshi said, decisive things leave a long finish. A wants to walk through the town without permission. I wanted to try walking slowly again where I used to wander, where I used to walk.
I headed to D station, which is the secondhand bookstore, on the city line. From the old platform, go down the stairs. The low beams are soaked in dust in the long run, and the stairs are blackened and the edges are worn away. He thinks the ads in the drafting school and the bookkeeping school have been posted without change, and that he's here again. vi When you leave the ticket gate, the town in the evening makes youths look like silhouettes and makes them come and go. There is a shop on the left side. A main road runs under the guard in front of it, and a tram squeaks past the road. If you go to the right, you will find a used bookstore street. A canal runs under the central guard, below the city line. The old D bridge, which is the same as the station name, is built, and a flat barge sometimes goes by on the stagnant water surface.
In one print, even if it was an illusion, there was a flowing time that allowed fireworks to open one after another. It connects with the structural time that is assumed in generating the meaning of the kanji. Apart from that, when Bodhisattvas and sentient beings pray in the mural paintings of Central Asia, the time of prayer is felt on the screen. It is different from the structurally existing time inside the kanji. The entire screen shows the final scene of an event.
Prayer begins in the past and reaches that time. In other words, the screen was showing the end of the closed time. In the half-century work of setting the chronological order of the Bronze wares of the Yin Zhou era, Nami Hayashi assumed that the horned god was the supreme god before the dragon . The iconic image of the Supreme God appears as the last form of an eternal time. Gassho and Arikonokami have a common accumulation of time. At their ends, in every form, the existence of a language that has a meaning in which time is also a component of it is questioned. It's a difficult but definite subject of thought.
In an old child's note, Wang Yi said, `` Everything Mange has its origins in one, and what causes one to win one, nothing in one, so one by one, so-called It is said that there is no word in the counsel, there is no word in one and two, there is one and two, and finally three is born, and one obeys nothing, and the number is exhausted . "
It states that once nothing is born from nothing, everything derives from it as a language . The language problem that comes from nothing. Wang Yi further said, "I can't help but lie with Zhou, and I'm going to pass without being biased toward the pole, so I'm going away . " He writes that things that go around are not remarkable, and that things that do not have one shape go far. Patrolling and endless problems .
Both of the notes by Wang Yi were related to the essence of the language, and they overlapped with Kenichi Oshika's work in A. According to Oshika, starting from the definition of the Teichmuller space as a topological space, and through the finiteness theorem of Sullivan and Earl Force, the geometric infinite group is constructed as the limit of the geometrical bounded group. If reduced, infinity is constructed from finite.
Languages can make infinite sentences with finite words, this seemingly obvious statement has not been strictly proven. Therefore, if this is one conjecture, Oshika suggested one strong direction for its solution.
Before long, don't think about that, but now it's time to face each other in front of what my beloved C told me. It is due to the prints sent from K, but now it is more than prints. HoweverIt was enormously great that the prints showed him the inherent time as a strict fact. Even if it was a phenomenon of illusion, it no longer hindered him. Because what he was looking for was universality that goes beyond everyday concreteness, and it was to express it clearly. However, in the language universals, which is derived from the typology of the language and the distinctiveness of the phoneme that were often talked about in the conversation with C at the time, that is, derived from the individual languages that exist as events, There wasn't.
Now, the figure has appeared as a connection between event and universality. A print tells me that. Languages that include time, prayer, feelings, etc., that are , all meaningful things, are aggregated into some figure, and the figure is described in a geometric way. The twilight long night has dawned.
It was long at night. Once he tried to use set theory directly for language notation. Gödel's proof of imperfection was so shocking that it had one clear meaning of imperfection perfectly expressed. However, extending that logic to the meaning of the language itself was probably difficult due to the results of basic mathematical theory until the middle of the 20th century, and was even more reckless from the ability of A.
The next half century has provided a way to expand the application of mathematics to non-mathematical fields. Mathematics has taken off to the world after a long run, Kenji Ueno said in an interview with Shigeyuki Morita. It must have been a deep emotion of the mathematician who walked with modern mathematics and finally arrived.Kenji Ueno and Yuji Shimizu, "Deformation and Cycle of Complex Structures" gave an overview of the structuring of mathematical objects, and gave a big shift to A, who was enthusiastic about the structural model of the language at that time. It was a valuable book.
However, is there a structure inherent in the natural language used in everyday life that can be expressed in mathematics? The circulating truth problem called the "Crete's lie" assumes that if the language has a two-dimensional structure like a Mobius ring, and the language moves in that plane in only one direction, It was natural that this mysterious proposition would endlessly repeat on the plane from true to false and from false to true .
I was asked by C, who taught me almost everything about the language, what you were thinking about now. At that time, A was obsessed with the set theory of Takeuchi Gaishi, who had a close relationship with Godel, so he obediently said he was thinking about the structure that exists in meaning in a set theory. Then C immediately told you that you shouldn't do that, and that it wasn't what we were doing, such as Wittgenstein, and he was really worried about A's direction.
It was on the train where the two went home together. C touched the words further and turned around, saying without hesitation that he was, in the end, not a researcher, but a commentator.
I had that chance only once. I thought I discovered the law. About the frequency of appearance in the language. After that, I searched for a few days. I've already found the law. C said so and stopped the language.
Older, he taught A as much as he could about his language, without taking into account age and experience differences. The language had facts and laws, and that was all he had. C stated that he could not find any of them. A didn't have a word to return at that time, he just took it quietly.
I have always been concerned about this law, but one day I read Yuki Kuramoto and it became clear. It is believed that C was referring to or related to the rule of thumb discovered by the American linguist George Zip. According to Kuramoto, Zipf's law was that the order of appearance frequency of words appearing in literary works follows the inverse power law. According to the illustrated illustrations of Keiichiro Tokita and Haruyuki Irie, the works in different fields of Shakespeare, Darwin, Milton, Wells and Carroll showed a striking resemblance. Especially, Wells's "Time Machine" and Carroll's "Alice in Wonderland" have almost completely overlapping curves, and it seems that they are the same work.
This outstanding rule of thumb, discovered in the first half of the twentieth century, is definitely immovable by Tokita and Irie analyzing and graphing the frequency and rank from 1 to 100000 in the words appearing in the sample work. I confirmed that it is a scientific law.
That is, all words that an author appears to have freely chosen to express his thoughts are, according to this law, nearly identical in the correlation of how many times each word is used by any author. However, it was beautifully shown as a quantitative achievement of modern science .
Once upon a time K asked what poetry was, A replied, at a naive level, that poetry was about to deviate from the norms of the language that preceded it. It seemed as if I had been struggling for a long time, knowing instinctively that I was conversely governed by the strong laws of the language that I might have made. It's also true, though not Galilean, that different human writings will continue to follow the same curve as usual, according to Zipp's law.
C, however, did not like A's over-conceptualization of these languages, chasing the facts of the language and the laws extracted from it throughout his life, and did not find them. And one day I died of a sudden illness. Leaving some books that loved linguistics. The last book is called "Open Door to Linguistics, Janua Linguisticae Reserata". As he says, the door was open to everyone. If you want to chase after all.
If C were alive, she might ask A again. What are you doing now? And A will answer as well. It's not about the facts, it's about universality. If I were alive, would I have climbed that steep staircase and talked again at the table with a low ceiling, C? In the cross-border ties of transfusion research, in order to avoid damaging the rediscovered valuable manuscripts of transfusion theory, the discoverers themselves sent me on an airplane, so I would be at a loss. I wasn't good at it, how inspiring I was, C. The name of the store, which looked like a shack, was California just to the left of the alley in front of the station. Now, let's write it down in our oblivion memorial, which was never miserable.
However, A continued to take a different direction, while accepting C's angry advice from the bottom of my heart. The fact was not his subject. As it is a human event, everything manifests once as a fact. Some law may appear there. But A did not want that direction. In the case of A, the internal structure of the language went from set theory to geometry and then to geometry. That is, time is also a meaning. He chose geometry now as the only way to clearly express a figure as a representation of a universal language, and there was no hesitation.
A print was strictly at the origin that guided all of them. As Oka Kiyoshi said, decisive things leave a long finish. A wants to walk through the town without permission. I wanted to try walking slowly again where I used to wander, where I used to walk.
I headed to D station, which is the secondhand bookstore, on the city line. From the old platform, go down the stairs. The low beams are soaked in dust in the long run, and the stairs are blackened and the edges are worn away. He thinks the ads in the drafting school and the bookkeeping school have been posted without change, and that he's here again. vi When you leave the ticket gate, the town in the evening makes youths look like silhouettes and makes them come and go. There is a shop on the left side. A main road runs under the guard in front of it, and a tram squeaks past the road. If you go to the right, you will find a used bookstore street. A canal runs under the central guard, below the city line. The old D bridge, which is the same as the station name, is built, and a flat barge sometimes goes by on the stagnant water surface.
Nothing has changed in the past. Behind the bridge is a large intersection, and there is a gray high school behind it. Lights illuminate in the evening as if they are still learning. This is also old. While standing on the bridge and looking at the river, people are constantly flowing. That's where the bridge is. It's not the place to stay. A liked looking out over the canal from there. How far will the ship go? Will it be unloaded at a port near the seaside or at a dumping site? The ship moves slowly down the stagnant canal, as if the flow of time had doubled. The left side of the canal is the station building, and the right side is the back side of the buildings. Several signs are facing the station. Boxing Jim's slightly distorted Gothic signage, depicting the appearance of the Oriental King, is still alive. The bridge is already stripped of concrete. Suitable for an old town. Leaning on a rusty iron balustrade, a cargo boat, which may be many today, goes through the bridge again.
No more wandering around the bookstore district. The subject is in me. I just have to look at this canal. The itinerary is over. Maybe I won't be a master in the long run, but you can work in your own small workplace until the sun goes down. Then the saint goes through the windows of the workplace. I once read such a Russian folk tale. Autumn days are early. The tram headlamps are so dazzling. A small number of passengers were illuminated in the yellowish-brown window and disappeared toward the secondhand bookstore district. The shops at the station are wrapped in a lively orange light.
No more wandering around the bookstore district. The subject is in me. I just have to look at this canal. The itinerary is over. Maybe I won't be a master in the long run, but you can work in your own small workplace until the sun goes down. Then the saint goes through the windows of the workplace. I once read such a Russian folk tale. Autumn days are early. The tram headlamps are so dazzling. A small number of passengers were illuminated in the yellowish-brown window and disappeared toward the secondhand bookstore district. The shops at the station are wrapped in a lively orange light.
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