In the 21st century, language will definitely become one of the most important themes and targets of mathematics for us all

In the 21st century, language will definitely become one of the most important themes and targets of mathematics for us all

TANAKA Akio


The main reasons are the following.
 1.Language is the most convenient tool for human being.
2.Language has the vast variations in natural language and technical language. 
3.Natural language has speech language, written language and their recorded language, for example books, records, CD and so on.
4.Technical language has many computer languages and their related devices.
5.At natural language, there exists many meanings not to confirm clear definitions, for example finite,infinite, discrete, continuity, universal and super. 
6.Technical language has naturally defines the meanings by its discrete arithmetical basic using of discreteness.
7.Mathematics is probably belonged to natural language, that uses speech and written language by usual conversations and papers or books. 
8.But mathematics can clearly define the meaning through a few axioms and derived theorems. for example boundary, continuity, distance, finite, infinite and space.
9.Mathematics has many strong tools for description, for example mapping, projection and identification.
10.Mathematics has solid structure through long historical verifications from ancient Greece.
 
References
​
Boundary:
Why is boundary necessary in language? 
Description
THE ROAD TO REALITY A Complete Guide to the Laws of the Universe
Dimension
Language and Dimension
Distance
Distance of Word
Geometry
Arithmetic Geometry Language
Language
Presupposition on Natural Language
Meaning
Meaning Minimum
Space
Quantization of Language
Structure
Homology Structure of Word
True and False
The True-false problem of the Crete
 
 
 
Tokyo
8 February 2016
Geometrization Language

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Story Papa Wonderful 1999

 

Story

Papa Wonderful

Autor  RI Ko

Published 1999
Japanese Title Sutekina Otosan

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Papa Wonderful
0 and Chapter 1-Chapter 55

Geometry is the only one expression for me to describe language universals containing the time which is one of the important elements of meaning. 2017. Translated by Google translate 2020

 

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Geometry is the only one expression for me to describe language universals containing the time which is one of the important elements of meaning. 2017. Translated by Google translate 2020


TANAKA Akio

C did not find it, following the facts and laws. And one day C died of a sudden illness. Leaving some books that loved linguistics. The name of the last book is Janua Linguisticae Reserata, an open door to linguistics. As he says, the door was open to everyone. If you want to chase after all.

If C were alive, he might ask me again. What are you doing now? If C live, he also may ask me, “What are you researching now?” And I will answer as well. And I also will answer him as same as ever.
I am pursuing universality, not facts. I have pursued universals, never done facts, without repenting.

If he were alive, would I have climbed that steep staircase and talked again at the table with a low ceiling. Oh C, if you live, will we also talk on language at the table facing each other under the low ceiling of the shop, going up the steep stairs.

In order to avoid damaging the valuable manuscripts of the transposition theory, the discoverer himself took it on an airplane and delivered it. So how inspiring I was to get lost, C. The name of the store, which looked like a shack, was on the left just after entering the alley in front of the station. The name of the shop is California.

Let’s write it down now in our never-forgotten oblivion memorial. For the memory of our daily forgetful life, its never miserable though poor all over, I will write down our delight.

However, I continue to take a different direction, even though I apologize to C for his angry advice. The fact was not my subject. As it is a human event, everything manifests as a fact once. Some law may appear there. But I didn’t want that direction.

What I wanted was not a world of facts, but a fictional world. It probably explains almost nothing of this world. Useless. If it wasn’t blasphemy, it was close to art.

In the case of mine, the internal structure of the language went from set theory to geometry and then to geometry. In other words, time is also a meaning. He chose geometry now as the only way to clearly express a figure as a universal language expression, and there was no hesitation there.

Source: Tale / Print by RI Kohr / 27 January 2012  
References: 

• ​Under the Dim Light / 1 August 2012
• Road to Language Universals / 31 December 2012
• Half Farewell to Sergej Karcevskij and the Linguistic Circle of Prague / 23 October 2013

Tokyo
13 August 2017
Sekinan Library
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Dedicated to the days For the University on the Hill

 Dedicated to the days

For the University on the Hill

1. ​Hurrying up to library. For the Library attached a university on the hill
2. AMINO Yoshihiko, historian of modern Japan
3. ​​At the campus of university
4. ​At the lawn terrace before library
5. CHINO Eiichi and Golden Prague
6. CHINO Eiichi  Fortuitous meeting
7. ​Coffee shop named California
8. Geometry is the only one expression for me to describe language universals
   
9. containing the time which is one of the important elements of meaning
10. ​Glitter of youth through philosophy and mathematics in 1970s
11. KAJIMURA Hideki   His Korean Classroom
12. KAWASAKI TSuneyuki  Late spring trip
13. Language and I
14. Letter to the library Abridged version
    
15. NISHI Junzo, Philosopher of Modern Japan
16. Intuition and Mathematics
17. Natary MURAVIJOVA  Russian Language Class
18. ​​ONO Shinobu and Bernhard Karlgren
    
19. Papa Wonderful 20 University
20. Rhododendron has come out this year 2017
21. Symbolism of Japan, Haiku. I learnt from SAEKI Shoichi
22. ​Under the dim light

Tokyo
25 October 2020
Sekinan Ideogram

Story Papa Wonderful 48 Letter . Translated by Google

 

Story Papa Wonderful 48 Letter . Translated by Google

48 Letter          I think it was Kenichi Yoshida who said that time flows quietly when reading a letter book, but that is the center of literature. Let’s do it. So what I add here is just the surroundings. My conclusion is that literature is a defense. What kind of defense is against what you call your heart, your soul, your life, or something like that. 　Literature here is not limited to so-called literary arts represented by poetry and novels, but sometimes extends to newspaper fragments and the text of advertisements. When I heard that soldiers reread the drug’s efficacy statement many times during the war, the misery of the war and the faint peace in it were mixed in me, and at the same time, out of the chaos. I also felt the defense of literature. 　I will use the word mind here. Literature protects the mind. I think people’s hearts are vulnerable. If nothing else, it’s probably easy to get hurt. I’m not sure if literature can save people’s hearts, but I think it can provide some protection for vulnerable hearts. 　In Tetsutaro Kawakami’s “The Diary of Arisu”, I read back several times when I mentioned the poems of Mallarmé and Laforgue. I replaced the phrase “autumn like hitting a cymbal” with the clear autumn of Japan, which I could see, in contrast to the golden yellow leaves around me. It’s hard to say, but it was certain that Mallarmé’s words were sometimes sunk in my heart. But even if my heart remains depressed, through this word an autumn appears before me, and its reality gives me an impression that is by no means inferior to the memory of autumn that I actually saw. I have been giving it to my heart. The sense of reality in me is not limited to this “autumn” experience, but it gives me a new sense of reality through various words. 　Was it Laforgue who said, “Rain that falls with the kindness of an angel”? Once these words settled in my heart, it always rained with that kindness. Speaking of simplicity, it’s as simple as it gets, but I’m sure everyone has this experience. I see it as my own happy experience, and it can be said that I have cherished it. No matter how many times I flipped both pockets, all that came out was dust, and my few fortunes were a collection of such fragmentary words. 　Mr. Tetsutaro Kawakami taught me a lot. They protected my youthful heart. The place where my father opened the glass door with the child and entered the dining room with Zenzo Kasai’s “Take a Child” gave me an endless sense of relief. There may have been a projection of “Christ the Child” somewhere in that relief, but such self-analysis was, so to speak, disturbed by the logic itself and did not finally reach deeper in the heart. It seems. Logic is sometimes easily incorporated into a part of the system, but sensations do not belong anywhere and can remain half-hearted and unstoppable. Literature often played such a role in the mind, so unlike the words of parents preaching in a rational way, it permeates the mind like the familiar country and western that you hear back in your room. did. 　If my young heart did not have Zenzo Kasai’s “Take a Child”, my heart might have been moved by any religion that was approaching. That may have made me happier, but I haven’t taken that direction, and I’ve been wandering around to the present day. The scenery of “Take a child” remains undifferentiated in my heart and still gives me a deep sense of relief. Similarly, “the rain that falls with the kindness of an angel” has transformed my cold and wet heart into a warm and gentle world. 　Words are not magicians, they are not magic. It’s just a message to move in. However, the message reaches the human mind as a reality, just as the colors created by the painter shine with light from the back of the screen. Often with a sense of reality beyond what the immature self experienced. When some of those messages overlap, the vulnerable heart protects the child from the big bear, just like a sturdy beaver’s nest. Feeling the autumn of cymbals in the overcast sky, my lonely father with a child gives it to those who read the supreme kindness from the dark light bulbs. 　That’s why literature has a defensive ability as an added value. Tokyo 25 August 2017 Sekinan Ideogram Read more:  http://srfl-essay.webnode.com/news/a48-letter-from-the-story-papa-wonderful/

Sekinan Ideogram. Story A story of a family at the west suburb of Tokyo Papa Wonderful 1999

 

Sekinan Ideogram 23/10/2020 0 Comments   Sekinan Ideogram Old name : Sekinan Zoho ​​1 August 2016 18 August 2019 Renewed 17 October 2020 Renewed Sekinan Library ------------------------------------------------------------------------------------------------ SITE OF SEKINAN LIBRARY ------------------------------------------------------------------------------------------------ Story A story of a family at the west suburb of Tokyo Papa Wonderful

Story Papa Wonderful Autor RI Ko Published 1999

 

Story Papa Wonderful Autor  RI Ko Published 1999 0 Comment s   Story Papa Wonderful Autor  RI Ko Published 1999 Japanese Title Sutekina Otosan 01  はじまり 　「すてきなおとうさん」田所弘平さんは実在の人ではありません。しかしいちばん近いモデルはというと、それは著者自身ということになります。 　ほんとうは架空の人として描きたかったのですが、そのような人として描ききる力が著者にはありませんでしたので、いちばん身近な著者自身をモデルにしてしまったのです。 　著者は１９４７年に東京の西郊に生まれ、そこで育ちました。ですからここに書かれていることは、著者が生きた時代にその時代の中で見た真実ということになるかもしれません。ひとりよがりや架空のことも含めて、ここに書かれていることは著者がこうありたいと心のどこかで願っていたことなのです。 　著者は小さいころ、姉が読んでいた少女雑誌の付録で、マンガの『若草物語』を読みました。その読後感はほんとうになんともいえないあたたかなものでした。なにしろ半世紀近くたった今になっても、そのいくつかの場面をはっきりとおぼえているくらいなのですから。この物語を読んでくださるあなたが、もしお子さんをお持ちのおとうさん・おかあさんでしたら、どうかマンガだといって、それだけでその作品を否定しないでください。すべては表現と感受の問題で、それが何によってなされるかではないからです。 　ですからこの物語は、半世紀を隔てて書かれた、少年時代に読んだマンガの『若草物語』へのひとつの頌歌、ほめうただと思ってくださってもかまいません。 　小説家、上林暁さんがかつて自らの文学的経歴を振り返りながら、実は『あしながおじさん』が大好きだったと述べておられるのを目にしたことがあります。この人にしてこのことばがと、なんだかほほえましく感じられました。 　文学に長じた上林さんには比すべくもありませんが、この本の著者もきっと、『若草物語』が著者のささやかな文学的営みの出発点をなしていたと思えるくらいには、自己を振り返れる年齢になったのかもしれません。 Read more ​Papa Wonderful